15 May 2011

The Lovely Bones Movie


LOVELY BONES will be one of the films of the year. Lovely bones was a wonderful movie - heartbreaking at so many times and feel that it is anything but 'spiritually hollow'. Will be watching it again!

Susie's father Jack, on extended leave from work, begins to suspect Harvey, a sentiment his surviving daughter Lindsey comes to share. Susie and Ray watched as the principal and the art teacher chastised Ruth for her charcoal drawings of "real women.".When the adults left, Susie and Ray climbed down, and Susie asked to see Ruth's sketchbook. Impressed by the drawings, Susie changed her perspective of Ruth, seeing her as special rather than strange. Susie never really seems all that upset that she got murdered, and she doesn't seem bothered that her heaven consists only of other rape victims. There is a time in the film where Susie acknowledges that a girl in her neighborhood that died of Leukemia didn't go to her heaven.

Abigail puts her Camus on the nightstand, knocking off a copy of Hermann Hesse's Siddhartha . But when she reaches back over to turn off the lamp, a copy of the very same book is visible on the table, resting underneath the lamp. Abigail turns in on herself, beginning an affair with the investigating officer, and then running off to California to keep from dealing with the pain. Perform a character analysis of main characters in The Lovely Bones and explore the ways in which they deal with their own private grief.

Jackson should have spent more time exploring the relationships between Susie?s friends and relatives; instead he invested a huge amount of time and energy in figuring out how to make the stupidest looking afterworld I?ve ever seen. Jackson, whose early features showed a real talent for switching tones (rewatch The Frighteners for its effortless blend of the silly and nightmarish), inexplicably frames the proceedings like outtakes from Mrs. Doubtfire , all kitchen slapstick and gently aggrieved reaction shots beneath aggressive pop music. Jackson moves these characters around like chess pieces in a game with no rules, with no regard for motivation. He guides them into plot points without giving them — or an audience without a study guide — much idea why they're taking these actions.

Peter Jackson is the director of the Lord of the Rings trilogy, and one of the biggest moneymakers in Hollywood history. Alice Sebold is the author of The Lovely Bones which, since it came out in 2002, has become one of the bestselling novels of the millennium. Peter put his own spin on it based on the impression the book made on him. Peter wouldn't be the visionary he is if he did that. One thing I hope is that he includes a more satisfying ending than the book has.

Ronan is a natural, and shows us Susie’s innocence peeling away layer by layer. From the afterlife, as a very solid ghost, Susie retells her family’s experiences before and after the crime: half post mortem, half detective story. Ronan's breathy line readings grate on the nerves, and Tucci's skills are wasted on such a thin character as this garden-variety monster (who is this guy? What happened to his wife?

No comments: